The Multiple Gaze
- New Left Review 2024
- 111-123
Resisting the erasure of working-class life in the American rust belt, the critical photography of LaToya Ruby Frazier combines intimate portraiture with representations of capital's flight. Rebecca Lossin reflects on MoMA's recent retrospective of her work-and on the cultural politics of documentary image-making in an age saturated with the visual.
Mobile Industrial Working Monongahela Valley's Mills Steel Manufacturing